Here’s an easy way to begin to introduce some wider intervals into your improvisation while still maintaining melodic and harmonic integrity. This exercise uses a…
Read Full Blog PostNew CD – Anima
This album was a pleasure to record. Pianist Leonard Thompson and I did 6 hours of live takes at a Church in Kansas City with…
Read Full Blog PostLesson 43: Diminished
Here’s an intervallic diminished sequence that I wrote while in Leipzig on a short avant-garde tour in the late 90’s. We had many long days…
Read Full Blog PostLesson 40: HW diminished
The use of the “half -whole” diminished scale over a dominant 7th chord can create some interesting and complex sounds. This “octatonic” scale outlines specific…
Read Full Blog PostLesson 41: Shell + Tension
Oftentimes, as a single note improviser, it is difficult to recognize harmonic tensions by ear. For example, when playing just an A natural, it sometimes…
Read Full Blog PostLesson 24: Major Melody
This is a very simple melody that clearly outlines the major 7 sound (with a passing natural 11). First learn to sing the melody in…
Read Full Blog PostLesson 39: Bach Cello Suite
Here’s a very simple lesson taken from the 1st two bars of the second Bach Cello Suite prelude. The melody outlines the chord progression i…
Read Full Blog PostLesson 38: 1st Inv Triads
Over the years I consistently hear from my students, “I know all my triads” and, “I know all my major scales”. After closer examination, it…
Read Full Blog PostLesson 30: Sing and Play
Since I developed carpal tunnel syndrome in 1990, I began to sing as a way of practicing the saxophone without using my hands. After my…
Read Full Blog PostLesson 28: My Shining Hour
This is a short etude I wrote over the chord changes to My Shining Hour in concert C. The etude utilizes a lot of modern-ish…
Read Full Blog PostLesson 21: V7 Chromatic
Although we all practice chromatic scales over the years, sometimes it’s challenging to actually use them as convincing melodies while improvising. One thing I’ve noticed…
Read Full Blog PostLesson 14: Diminished Melody
Here is a simple melody that will help you hear diminished as diminished, not merely as a dominant 7(b9). This is fairly easy idea that…
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