The sus4 chord can be found in most genres of music; blues, jazz, rock, classical, folk, hip hop, etc. In a normal C7 chord, the…
Read Full Blog PostLesson 46: Altered Melody
Here’s a short melody that uses all the notes from the Altered Scale (the 7th mode of the Melodic Minor Scale). While chord-scale theory can…
Read Full Blog PostLesson 45: Bird Line
Bird may be my all time favorite melodic improvisor. His sound, feel and ideas still seem fresh and alive and I enjoy him more and…
Read Full Blog PostLesson 43: Diminished
Here’s an intervallic diminished sequence that I wrote while in Leipzig on a short avant-garde tour in the late 90’s. We had many long days…
Read Full Blog PostLesson 24: Major Melody
This is a very simple melody that clearly outlines the major 7 sound (with a passing natural 11). First learn to sing the melody in…
Read Full Blog PostLesson 39: Bach Cello Suite
Here’s a very simple lesson taken from the 1st two bars of the second Bach Cello Suite prelude. The melody outlines the chord progression i…
Read Full Blog PostLesson 38: 1st Inv Triads
Over the years I consistently hear from my students, “I know all my triads” and, “I know all my major scales”. After closer examination, it…
Read Full Blog PostModern Jazz Vocabulary Vol.2
Modern Jazz Vocabulary Vol. 2 The second volume of Modern Jazz Vocabulary is finally done. I made some changes in the books format based on…
Read Full Blog PostLesson 35: ii-V-i Harmonic Min
This exercise is an example of using a harmonic minor scale to create a melody over a minor ii-V-i progression. To do this we use…
Read Full Blog PostLesson 34: V7 Altered Scale
Here’s a simple ‘cliche’ bebop melody that uses an altered scale (the 7th mode of melodic minor) over and altered dominant (#11, #9, b9, #5).…
Read Full Blog PostLesson 32: Bach – Minor V7 – i
Here’s another beautiful melody from the Bach 2 part inversions that comes from the harmonic minor scale. In this lesson I sing the phrase in…
Read Full Blog PostLesson 31: Bach Sing-Play
In lesson 31 we’ll take a small melodic fragment from the Bach 2 part inversions and both play it and sing it through the diatonic…
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