Lesson 23: Harmonic Maj
This is exercise works as a supplement to my book “Jazz Vocabulary Vol. 1 Harmonic Major” or on its own. There are three mp3s for this scale practice below, one at 40bpm, one at 80 bpm and one at 160bpm.
Lesson 22: ii – V – I Chromatic
In lesson 20 and 21 we worked on using chromatics as melodic material over specific harmony. Continuing along these lines, this exercise is another ii-7 – V7- Imaj7 using the chromatic scale. The melody ascends from the minor 3rd
Lesson 21: V7 Chromatic
Although we all practice chromatic scales over the years, sometimes it’s challenging to actually use them as convincing melodies while improvising. One thing I’ve noticed is that every other note of a chromatic scale creates a whole tone scale, and
Lesson 20: V7 to i using -3rds
Here’s a short melody I worked out using minor 3rds descending by half steps. It works well as a V7 to i minor cadence and after the descending minor 3rd passage I added a short 5 note minor melody to
Lesson 19: Maj7 #9 #11 Melody
Using unusual modes from scales can help produce some interesting melodies. This major #9 #11 melody comes from the 6th mode of harmonic minor (i.e. Ab to Ab from C harmonic minor). This mode is a wonderful substitution for Lydian
Lesson 18: Long Tones 2
This is a variation of the Long Tone Lesson 16. The 3 step procedure is basically the same: 1. Relaxed Natural in Breath (diaphragmatic breath). 2. Listen actively and relax. 3. Play the long tone (with vibrato) The difference in
Lesson 17: Intervallic Melody
Using bigger intervals when improvising can help create an interesting contrast to your linear ideas. This is a melody comprised of a spread triad in 2nd inversion and 2 upper-structure “tensions”; the 11th and the 9th. These melodies are played
Lesson 16: Long Tones
This is one way to practice long tones that I have found very helpful and have modified it slightly over the years. This can be practiced on most instruments with a little variation. We will play the long tone exercise
Lesson 15: Drones and Pedals
Improvising over a Drone or Pedal has been something I’ve always enjoyed. Not only is it relaxing and simple, it really helps me hear scales, modes and melodies. When a single note instrument is your main axe, you need a
RSI, Carpal Tunnel, Tendinitis
RSI (repetitive strain injury), carpal tunnel syndrome and tendinitis can be an extremely frustrating and painful thing to deal with. If you can’t play music because of injury, you might become depressed, anxious and loose the will to recover. In
Lesson 14: Diminished Melody
Here is a simple melody that will help you hear diminished as diminished, not merely as a dominant 7(b9). This is fairly easy idea that is played through the keys around the circle of fourths starting in concert C. It’s
Lesson 13: Lydian Melody in 5ths
Playing larger intervals can help to break up more linear ideas in a creative way that still sounds melodic and outlines the harmony clearly. This exercise in comprised of consecutive 5ths through Lydian, so it will work well over Major
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