Protected: Triad add 9
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Free Jazz Education and Music
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New Acoustic Arco Bass Drones: A Collaboration with Jeff Harshbarger I’m thrilled to announce the release of a new set of practice drones, created in collaboration with my KU colleague, Jeff Harshbarger. Jeff graciously spent an afternoon in my home
In this lesson we’ll look at and play a theme from Bach’s Well Tempered Clavier Book 1; Fugue 10 in E minor. What I find so great about this melody is that it uses a guide- tone cliché or line
Lesson 87 is a simple ii-7 V7 melody that you’ll probably recognize. This line will work over both a ii-7 or a V7 so it’s good to practice it in both harmonic contexts. Learn to sing the melody first so
Playing bebop melodies through all 12 keys can be a great practice that will help develop your ear, your analytical mind and your technique. Sometimes a whole melody can be a bit daunting so it can be nice to take
When studying with George Garzone in the mid 1980’s, I learned to practice and play without using any tongue. In my experience, playing without any tonguing exposes your finger technique and thus, through improved awareness, helps both the time and
In lesson 82 we will look at an easy 5 note (pentatonic) scale that works well when improvising over a Major 7 #5 chord. This chord can be challenging when you’re starting out and this group of 5 notes are
Here’s a one chorus solo I played over the chord changes to “Well You Needn’t” by Thelonious Monk for the “Jam Of The Week” facebook group, which I thought might make a nice etude. A video of the orginal solo
Improvising using odd rhythmic groupings or accent patterns while not getting turned around (loosing the harmonic rhythm) has always been something I enjoy working on and I’ve found that many of my students share this experience. This is a simple