Lesson 154: Major 7 b9 Melody
The b9 is not commonly over a Major 7 chord. This melody is one a wrote to help me incorporate it’s use into my melodic improvisation. In this context it functions as a passing tone between the root and the
Lesson 153: Minor Pentatonic Warm Up
Pentatonic scales are amazing 5 note sets that are comprised of stacked perfect 5th or stacked perfect 4ths. They can be used in a variety of harmonic contexts. Keep in mind that the Major pentatonic and the (relative) minor pentatonic
Lesson 152: Maj Triad add #11 Tetrad
The 4 note cell or Tetrad using 1, 3, #11, 5 has many harmonic contexts and can be used for creating voicings, improvising melodically and composing. This lesson outlines one simple melody from the tetrad the descends skipping voices. After
Lesson 148: I Hear A Rhapsody – Etude
Etudes are a great way to work on new material, vocabulary, phrasing and a whole host of positive musical skills. Here’s a one chorus etude I wrote for Bari player Andrea Edwards who is earning her Bachler’s in jazz at
Lesson 146 Part 2: Countdown, Giant Steps, Tri-Tonic
In this video lesson I’ll demonstrate a few ways to practice the minor pentatonic concept outlined in the first video (Countdown Part 1). I start with an brief overview of the last lesson and than play examples of sequential ideas
Lesson 146 Part 1: Countdown, Giant Steps, Tri-Tonic
This is a 3 part series on ways to practice and think about Countdown my John Coltrane. This is on of his challenging tri-tonic tunes based on the song Tune Up. Countdown is one of those tunes that, depending on
Ear Training Series II (Melodic Minor Modes)
Passive Ear Training: A Natural Approach to Hearing and Understanding Modes. This innovative ear training method, which I call “passive ear training,” mirrors the natural process of language acquisition. By emphasizing repetitive listening and imitation, it cultivates a deep, intuitive
Lesson 145: Major Melody using #9, #11 and #5
Here’s a nice major melody I wrote today at the piano and began learning, singing and playing through 12 keys. This short two bar melody incorporates several nice upper structure alterations including #11, #9 and #5. The phrase starts off
Free Improvisations from 1988
While rummaging through my attic, I stumbled upon a treasure: a cassette tape containing practice sessions recorded during my time at Berklee around 1987 or 1988, when I was about 20 years old. The tape captures a series of short
Giant Steps – Cycle 5 Melody
As a creative educator in improvisor, I often enjoy working on Cycle 4 and Cycle 5 melodies. This Etude is a vertical melody over the Giant Steps progression (John Coltrane). Each melody starts on the root of the chord and
New CD “Umbra”
Another CD is now out on Origin records. “Otto is a true original in his compositional efforts. He sounds like no-one else. Free? Sort or, and laid back, with a beautiful sax tone. It sounds like he is laying out
New CD ~ “Notebook”
Here’s the track “Esthesis” from the album: https://mattotto.bandcamp.com/album/notebook This new recording features two groups; essentially two EPs put together. One group is a tenor trio the other a quintet with the members of the band Esthesis. Quintet: Tina Raymond –
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