The CD is pressed – here are all the tracks on one post. You can also listen to the whole album for free or buy…
Read Full Blog PostLesson 149: What is This Thing Called Love.
Using only the 1,3,#11,7 Tetrad (or 4 note set) I’ve been using this 1, 3, #11, 7 Tetrad (4 note set) for years in both…
Read Full Blog Post4th mode of Harmonic Major (triad pairs)
Using “triad pairs” has become a popular method to help generate melodic material. I first heard Oliver Nelson use triad pairs in his 1961 solo…
Read Full Blog PostComposition “Maker’s Curse”
I find that composing is a great way to spend time alone and to work out ideas that you may also use when you improvise.…
Read Full Blog PostHot House
I’ve been looking at using Modes of harmonic Major and harmonic minor over the chord progression “What is This Thing Called Love”. The first two…
Read Full Blog PostJason Moore – 6 Months of Sax
I’ve been listening to students for years and years now, and I’ve begun to notice a pattern in what you tell me. You’re over scheduled, over worked, and overwhelmed by all that you want to learn about music and the saxophone. Time in the practice room often feels like you’re just spinning your wheels but not really getting anywhere. You’re making time to practice, but your unsure of exactly how to use that time.
Read Full Blog PostDuo with Bob Bowman
Here’s a short video of me playing an old standard with Bob Bowman on bass. Bob’s one of my favorite people and players. He listens,…
Read Full Blog PostBook: Tetrad Vol. 1: Triad add 9
This book is an in depth look at the Major Add 9 Tetrad (or 4 note cell). There’s a ton of great melodic and harmonic…
Read Full Blog Post~New Video Series~
Buy The Trad and Tetrad Video series Here . . Buy The Trad and Tetrad Video series Here . This is a complete walk through…
Read Full Blog PostLesson 121: Fool To Want You
Today I’m working on the first melody of the standard “I’m a Fool to Want You”. I’m singing the opening phrase at the piano while…
Read Full Blog PostLesson 120: Singing/Tapping
Today I’ve been singing half note roots over Coltrane’s tri-tonic system. In this case: C Maj, Eb7, Ab Maj, B7, E Maj, G7 repeat… while…
Read Full Blog PostLesson 119: Relative Pitch
This is a supplementary post to Lesson 26. This skill will help you learn to play what you hear, learn to hear new ideas, melodies…
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