Lesson 12: Embellished Triad
Lots of great melodies are no more than a triad with a bit of stepwise embellishment. This exercise takes a spread triad in root position and embellishes the 3rd at the top of the voicing with upper and lower neighbor
Lesson 9: Arpeggiating Voicings
Sometimes when playing saxophone without a chordal instrument or accompaniment, it can be hard to hear the harmonic context for the melodies being improvised or worked on. One way to help hear harmonically while playing single note lines is to
Lesson 8: ii-V7 using triads
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Lesson 7: C7 using Maj7(#5)
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Lesson 6: Minor ii-V-i
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Lesson 5: 13th Arpeggios
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Lesson 4: Cycle Melody
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