Lesson 12: Embellished Triad
Lots of great melodies are no more than a triad with a bit of stepwise embellishment. This exercise takes a spread triad in root position and embellishes the 3rd at the top of the voicing with upper and lower neighbor
Lesson 10: Whole Tone Melody
The whole tone scale can be a bit too transparent to use frequently during improvisation. I’ve found that by conceiving of it both in augmented triads and with chromatic passing tones it becomes a little less obviously “whole tone”. This
Lesson 5: 13th Arpeggios
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Lesson 4: Cycle Melody
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Andy Ehling and Matt Otto “Returning”
Click here to download I’ve played with alto saxophonist Andy Ehling since 1983. Andy and I went to high school together, played in jazz band, and practiced every day under an old railroad bridge in Orange County California, sometimes late
Lesson 3: Rhythm Changes
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Lesson 2: Diatonic 4ths
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Lesson 1: Spread Triads
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